Wednesday, September 17, 2014

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In the Chinese classic work, Tao Te Ching said to be written by Lao Tzu around the 6th century BC, there is somewhat a poem which can say a lot about the virtues of flexibility.

Men are born soft and supple;

Dead, they are stiff and hard.

Plants are born tender and pliant;

Dead, they are brittle and stiff.

Thus whoever is stiff and inflexible is a disciple of death.

Whoever is soft and yielding is a disciple of life.

The hard and stiff will always be broken.

The soft and supple will prevail.

In one of my previous articles, I have touched the topic on flexibility and how it factored much in aikido especially on the aspects of executing the techniques. In this article, I have more to discuss on flexibility, and at this point, I have come to realise that aikido is indeed a lesson in flexibility.

How can you develop your flexibility? Having browsed an aikido forum website, some practitioners suggested that one take up yoga and even Pilates and stretching before training. How do these things translate into aikido? Certain yoga practices and stretching techniques helped them stretch their shoulders even more, which comes beneficial in the correct positioning of the hand grasping techniques especially the nikyo and sankyo. And these also help in their execution of lock techniques.

Digging more into the physical sense of flexibility, Osensei Ueshiba Morihei had indeed shown his flexibility when he developed aikido: Who else would teach to martial arts students about blending in with the force or energy of our attacker instead of fighting or opposing it? Is not that way too radical? No. O-Sensei was just being flexible in his definition on martial arts as martial arts was on its way to become a sport for completion or fighting rather than being a way of life.

The poem above would best described Osensei as being an open and flexible master of martial arts. This he showed when he emphasised harmonisation over contention when facing aggression or conflict whether physical or verbal. Refusing to skirt around the standard option of martial arts ('win or lose') and not wanting his students to get harmed, he told the early students not to simple fight back by being as aggressive as our attackers. Instead, we exploit the attacker's energy to neutralise their aggression. It is not to attack, but to divert the attack.

People with the conventional definition of martial arts would end up getting hurt in the process because they refuse to be open and be flexible in their understanding of martial arts, especially on self-defence. One should learn from Osensei: You need to let go of your habitual and reactive tendencies to defend thy self. Instead, you should be open to feel undefended. For those who are not aware about aikido, this may sound non-sense especially if they do not understand the meaning behind the paradox.

Aikido owes its existence to Osensei's flexibility. This is not only evident in the practice of Sydney aikido. He even worked to allowed the techniques be flexible for certain practitioners and for certain events. This is why there is no such thing as 'styles' but only 'techniques'. Furthermore, did not he allow his students to develop their own variations of the techniques? This we will look up to in future articles.
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Martial Arts Instructors always talk about the Body, mind and Spirit of a student...



The Body is the Easiest and hence the First thing to Improve.







We have all heard the Body, Mind and Spirit talks from both Real Martial Artists and the various actors in nearly every martial art movie ever made. The reason it is always mentioned is because it is a Fundamental Truth in what we do, no matter what style you learn or teach.



My opinion is that while all three areas have equal importance, I feel the body is the first place to start.



Look at it this way? A smart kid with a strong spirit but a weak body is unlikely to beat a bully in a pushing match. But a strong kid who lacks focus and spirit when put in the same position may still land a lucky punch and save his bacon.



Of course the other two areas are important but for this month I want to focus on the strengthening the body.



I have included two more Strength Games for Kids in this Newsletter to help you get your kids physically prepared for your training. I want to help you get them stronger, it?s up to you to teach them how and when to use that strength.



A long, long time ago in a school far, far away I was once a little kid. My school was about 50% Maori, Tongan and Polynesian kids. As a small white kid that can be intimidating. I?m 6ft2in and 95kg now but back then I was one of the smallest in my class, a real late bloomer.



The kids in my school liked to fight a a hobby. They didn?t just punch the other kids they didn?t like, they also beat up their own friends to prove who was the best.



I guess I was lucky back then because I didn?t look like a challenge the few times I did have to fight I?d out wrestle and choke them to submit. (a special thanks to both of my Grandfathers for teaching me those skills.)



But there was another white guy in my class that Never Ever got picked on. He was short, not overly popular, and didn?t try to make friends with any of the tough guys. He never tried to start anything but he also never took any shit from the bigger kids.



The reason no-one ever took him on was because he used to have fun impressing us with simple demos of strength. At lunch he would grab his giant granny smith apple in both hands and simply tear it in half. We all thought that was nothing until we realized none of us could do it, not even king of the school tough guys.



When we would play on the jungle gym, swinging around on the bars, doing chin-up comps with our friends he would be doing single arm chin-ups. Again, none of us could do a single arm chin-up.



Another time we were all sitting around on the grass in a circle cross legged and all of a sudden he decides to show off by putting his hands on the ground, raising his legs off the ground and gracefully transitions into a perfect hand stand and walks off on his hands. We all tried that too of course and never got past half way without falling backwards or face planting the ground.



The thing is, none of us ever saw him fight. We had no idea if he could fight or not. He may have been crap, he may have been lethal, but we never found out. No one even asked him, let alone tried taking him on.



The tough guys never bothered him because they never knew what might happen. Everybody knew that they didn?t want him to grab a hold of you with those hands.



None of us knew if he could fight but we all imagined the damage he would do to someone once he got hold of them. He strength was frightening and it kept him safe all the way through his school years.



His Dad had taught him how to get strong by simple body weight exercises and isometric resistance. His Dad didn?t let him start lifting weights till he was 15yo. The stories I mentioned above were things he did as a 10-11yo.



I wish I had taken more notice of the things he had shown me back then, but he was the only person who did them. All the magazines and people on TV talked about lifting weights. It seems obvious now that he was all the proof I should have needed to convince me that what his dad taught him was simply awesome.



So, back to your kids? Strength is only 1 of the 4 pillars that create a great Martial Artist. Body, Mind, Spirit and Consistent Practice will set them apart from the many who start this journey.



questions@



- Aaron Perry
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It might sound a bit daft but the majority of people in the martial arts fail to use their feet when training. In fact, they probably fail to use them at all, except in circumstances when the feet use themselves!

Using the feet to their potential

Of course, everyone uses their feet in martial arts but the trouble is most fail to optimize the use of their feet. It's rather like training in big platform boots where you can't feel what's going on and as a result movement is compromised. The irony is that even training in bare feet the majority of martial artists fail to use their feet when the opportunity to really feel what is happening is spurned.

The foot/ankle complex is constructed of more than 30 bones comprising 28 joints which allow a huge amount of movement; twisting, bending etc.... Most of this movement potential is circumnavigated by the adoption of rather static 'flat-footed' stances which limit the foot action possible and subsequently movement potential for the whole body.

This has several drawbacks, not least that ground reaction force is compromised and therefore resultant force generated in strikes. Another important failing is the reduced stability as you are not 'in your feet'. This is a term more akin to Chinese Martial Arts but important for all martial artists and refers to being 'grounded' or 'sinking' your weight.

My earlier analogy with the platform boots is relevant here and could be extended. So if you are 'in your feet' you would be IN a pair of slippers rather than ON the platform boots. This may not be obvious and probably sounds like a load of old tosh but can be demonstrated quite easily.

Sanchin: mobility and stability

This much misunderstood stance (and kata, for that matter) provides an excellent vehicle for investigating 'sinking' your weight optimally and feeling what is happening in your feet. It requires you to use your feet properly, or put another way you must be 'in your feet' (slippers rather than platforms) and providing the structure to do so.

First, stand behind a friend, place your arms round their middle and lift them up, note how heavy your friend feels. Then get this person to bend at the ankle (the knee will follow), weight forward (over the ball of the foot) and feet spread the weight can 'sink' into the feet. Now lift your friend in the same manner as before.

Amazingly, your friend will be heavier! This does not mean that they have suddenly put on weight but rather they have allowed their weight to drop lower and to be supported by the feet. So long as the weight is forward and NOT on the heels movement from the feet is easily achieved, this means that Ground Reaction Force can be transferred into a punch as you press into the floor and the twisting bending motions of the feet can be accessed.

So throw out the platforms and put on the slippers to optimize your feet for your martial arts training.
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Tuesday, September 16, 2014

MMA Fortunes changed for five at UFC 196 - MMA Fighting MMA LIFE SHOP

Most people believe they're in the business of whatever product or service they are selling or providing. A restaurant owner believes he's in the restaurant business. A dentist believes he's in the dentistry business and a martial artist believes he is in the business of teaching martial arts.

In reality you should be in the marketing, sales and lead generation business. That is working ON your school. Basically, working ON your school :

Anything that builds your student base or builds more value from your students is working ON your school instead of IN your school. So the acts of working ON your school would include:

Working IN your business is:

That last bullet is an important one. Working IN your school also includes the act of teaching classes. Taking incoming calls and setting appointments for introductory classes is also working IN your business. This may be confusing as many people would consider this part of the sales process - which it is. However, you should not be the lead sales person you should be the sales manager. That means you should create the sales process and sales scripts for the sales person, not be the sales person. So acts of working IN your business would include:

You should focus on writing sales copy, creating marketing and sales systems, etc. because you know better than anyone you might hire what your school is about. You know what type of student you are looking to attract. So you need to learn how to get your potential students to you, how to retain them, and how to get more from the

To learn about the first and only No Membership Membership program in the Martial Arts Business Industry Click Here. PS It's FREE!
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I once saw a headline for a martial arts website that read "Martial Arts is About More Than Kicking and Punching". So true! Despite a growing number of gyms that seem to reduce martial arts to little more than physical dominance over others, the intangible benefits of training in the martial arts - mental and emotional fitness, somatic health, wellness, and inner strength to mention but a few - are huge. So huge, in fact, that we'll look at them in a different post;). No, this article will look at the other element missing from the kicking and punching formula - the defence!!!

Sure, it's great being able to pull off seemless combinations of strikes and kicks, but if you can't protect yourself when on the receiving end you'll never have the chance to show what you can do. While it is true that every martial art has its defences - blocks, parries, evasions, etc - precious few implement them to the extent that they can be confidently used in a chaotic situation. Fewer still adopt a Defence Focus to allow a new trainee to defend themselves from incoming attacks as quickly as possible. When you consider that one of the main reasons people come to the martial arts is to learn to self defence, this is a pretty big oversight.

If you want to be absolutely confident in your defence, here are some tips for developing a Defence Focus:

1) Check your stance

The task of defending ourselves is made much easier if our stance is already protecting many possible lines of attack. Ensure your stance protects your face and your body.

2) Balance & Movement

You should be able to maintain your stance in movement, and that movement should be 360! Ensure you can maintain your balance whilst moving and defending - if defending one strike or kick throws you off balance you will be unable to defend against combinations.

3) Allow Fakes & Feints

Attacks are not always going to be clear and predictable (in fact, the best are tricky and non-rhythmical). Ensure your defence allows you to quickly adapt to an opponent who fakes and feints without leaving gaps for them to take advantage of.

4) Practise The Wall Drill

Though footwork often allows us to avoid the worst of incoming attacks, there are times and situations where there is insufficient time and/ or space to use footwork effectively. (Note - only try this drill under the supervision of a qualified and experienced instructor.) To simulate this, take up your stance with your rear foot nearly touching a wall. Ask a training partner to stand in front of you and throw strikes and combinations at you (start light and build up) - let them fake and feint. You are only allowed to defend - you have to stay on the spot whilst maintaining your stance. If your defence is effective you should be able to stop 99% of the incoming attacks.
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Monday, September 15, 2014

MMA How To Use The Martial Arts To Read Minds MMA LIFE SHOP

The first time I ever actually perceived someone elses thoughts happened in San Francisco. My wife and I were ambulating through Chinatown, and we entered a shop where a grouchy old Chinese lady perched on a stool in a corner. As we peered at the various bric a brac, the grouchy one snapped at her daughter, "Look, look, look, everybody just look!"



Walking down the street after we left the shop, I looked at my wife, "Did you hear what that old lady said?" "How could I," my wife tilted her head in confusion. "I don't speak Chinese."







Speaking in Chinese, and I had heard her in English. In essence, I had read her mind and translated her thoughts into English. And I could do this, I instantly knew, because of the martial arts I had been studying.



The human mind is just a big radio receiver, but it transmits, and picks up, thoughts. The sad fact, however, is that the mind is pre-occupied with static. Children can usually see into people's minds, but they outgrow the ability and don't even remember it when they grow older.



In the martial arts you use the discipline of the body to clear out the distractions and static. You do this by focusing on making the moves of your form perfect. Eventually, the distractive static goes away, and the original ability to read minds is once again unleashed.



The problem, unfortunately, is that the martial arts have been so conflicted that it is difficult to find a form, or series of forms, that work the way they are supposed to. Oddly, almost any form can work if it is properly examined, and reworked so that it is scientific and true. This normally takes a tremendous amount of work, even a whole lifetime, but the process can be sped up if one knows the proper science.



Interestingly, the old religious classics of such arts as Tai Chi and other Wudang arts, speak of being child like in your approach to the world. I also saw mention of this concept in Buddhist works of Zen. The problem, of course, is that by the time one resurrects this ability one has become old.



At any rate, the old tales are true, the martial arts really do work, and in ways far removed from fighting. Indeed, though the martial arts teach people how to defend themselves, things like reading minds is the real start. And the start of this start, for most people, is simply walking through the doors of that neighborhood dojo and learning a little Karate or Tai Chi or Aikido.
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